SOUND DESIGN
Foley, ambience, and effects built to fit your story.
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SELECTED WORK
Case study details go here once the real project library is connected.
SELECTED WORK
CUSTOM SCORES · SOUND DESIGN · AUDIO POST
Custom scores, sound design, and audio post-production for film, ads, and podcasts — now reimagined as a living, sound-driven 3D space.
WHAT WE DO
From first spark to final mix, each service solves a specific part of your story.
Foley, ambience, and effects built to fit your story.
LEARN MORE →Custom-composed music scored to picture.
LEARN MORE →Cleanup and polish for dialogue, music, and sound.
LEARN MORE →Full-service editing, leveling, and episode assembly.
LEARN MORE →Professional mixing and mastering for any screen.
LEARN MORE →SELECTED WORK
HOW WE WORK
We start with a call to understand your project, timeline, and creative reference points.
We build a first pass — a score sketch, sound palette, or rough mix — for your review.
We revise together until the sound matches the story you are telling, no guesswork required.
You get final, broadcast-ready files in whatever format your project calls for.
SELECTED WORK
Browse by category or scroll through everything we have shipped for brands, filmmakers, and podcasters. (This mockup shows a curated 20-project subset of the real 32-project library, pulled straight from the live site’s categories.)
FEATURED PROJECT
CHICK-FIL-A · DOCUMENTARY SCORE
An original score for a Chick-fil-A short film profiling former Navy SEAL commander Rorke Denver — proof that Sumari’s sound doesn’t just support a story, it carries one.
BRANDS WE’VE WORKED WITH
SERVICES
Every project is different, here's a starting point. Reach out for a custom quote tailored to your scope.
Custom sound design for film, video, and interactive media — foley, ambience, and effects built to fit your story.
Custom-composed music scored to picture, from a single theme to a full episodic score.
Cleanup, editing, and polishing of dialogue, music, and sound for any production.
Full-service podcast editing, cleanup, leveling, music beds, and episode assembly.
Professional audio mixing and mastering for film, commercial, and online video content.
FAQ
Every quote covers the full creative work plus final delivery in whatever format your project needs.
Yes. Most projects blend two or more services, like a score plus a final mix, and get scoped together.
Rush delivery is available for an added fee depending on scope and current schedule.
Revisions are built into every package until the sound matches your vision.
Reach out on the Connect page with your project details for a tailored quote.
Before Sumari, Aaron Farmer built his career on stages, not in studios. As a multi-instrumentalist, keyboardist, guitarist, and Music Director, he led live shows for artists including Tyler Hubbard and Florida Georgia Line — arranging songs, cueing bands, and making real-time calls in front of audiences who only cared about what they were feeling in that moment.
That instinct never left. Touring taught Aaron that music only works when it serves what's happening on stage, not the other way around — and that discipline is exactly what he brings to picture now. Every score Sumari writes starts with the story, not the arrangement: what does this moment need, and how does the music get out of its way to let it land? It's a film-first approach built on years of learning to read a room live, with no do-overs.
Aaron founded Sumari during the 2020 pandemic, when touring stopped and he had to figure out what came next. He named it after his childhood nickname — Sumari, Afrikaans for “Smiley” — and built a production house around original scores, composition, and sound design for advertising, film, and television. The stages changed, but the instinct didn't: it's still Aaron in the room on every project, bringing the same story-first ear he built out on the road.
WHY SUMARI
Every note and sound effect serves the story, never the other way around.
You work with Aaron directly, no account managers or middle layers.
Broadcast, festival, and release-day deadlines get met, on time and on spec.
ARTIST WORKED WITH
Full touring & artist credit list available on request.
PRODUCED AND WRITTEN BY
Before Sumari, before scoring a single frame of picture, Aaron Farmer was writing and producing records — pop, hip-hop, and film score work that has earned more than 76.6 million global streams.
BY THE NUMBERS
76.6M+
Global streams on writing & production work — Source: Songstats.com
@afarm22 →THE SHORT VERSION
For years, Aaron Farmer’s stage was the stage — literally. As a multi-instrumentalist and Music Director, he led live shows for major touring acts including Tyler Hubbard, Florida Georgia Line, Nate Ruess, Backstreet Boys, and EAJ, calling arrangements, cueing the band, and reading a room of thousands in real time, with zero do-overs.
That instinct followed him into the studio. Writing and producing records asks the same question a live show does — what does this moment need? — just with more time to get the answer right. Aaron brings the same story-first ear from the stage to every session, building tracks that move people the way a great live show does: every part working in service of the whole.
That ear is on record. Aaron’s writing and production work has earned more than 76.6 million global streams (Songstats), spanning pop, hip-hop, and film score. In 2020, he channeled that same instinct into Sumari, a production house for original scores, sound design, and composition — but the tracks below are where it started: written and produced, stage instinct fully intact.
SELECTED WORK
Pop
Hip-Hop
Film Score
THE VAULT
Original scores and sound design from Sumari, cleared for direct sync licensing in ads, film, podcasts, and beyond — plus tracks, beats, and merch available to buy outright from the shop below. No stock loops, no samples you’ve heard a hundred times before.
LISTEN
Preview tracks shown are placeholder audio for now — send over real tracks and they'll replace these directly.
SHOP
Shown with placeholder products for now — swap in real tracks, pricing, and Payhip product keys once they're set up in the Payhip dashboard.
Every track is composed and produced in house — built for placement, not built to sound like everything else.
Straightforward sync licenses for commercial, broadcast, and digital use, with pricing scoped to your project and how it will be used.
Cleared, broadcast-ready masters delivered quickly, so licensing never becomes the bottleneck on your production timeline.
CONNECT
Fill out some information about yourself and briefly describe how you'd like us to help. Most projects turn around a first pass within 1–2 weeks, and we're happy to answer any questions over email before you commit to anything.
FAQ
Most projects — sound design, scoring, podcast editing, or mixing for video — get a first pass within 1 to 2 weeks. Tighter deadlines are often possible, just flag it when you reach out.
Yes. Sessions, reviews, and file delivery all happen remotely, wherever you and your team are based.
Whatever your project needs — broadcast-ready mixes, stems, WAV masters, podcast-ready audio, or anything else your pipeline requires.
Every project is scoped individually. Visit the Services page for starting points, or send details for a custom quote.
Yes. If you're after a ready-to-go track rather than an original composition, mention that (and the track, if you already have one in mind) and we'll send over sync licensing terms.
Yes. We revise together until the sound matches the story you are telling.